CHALUKYAS OF BADAMI-RELIGION & ART

CHALUKYAS OF BADAMI-RELIGION & ART

Regarding religion, the Chalukya kings were Hindu brahmins but they respected other faiths too. The Chinese traveler noticed more than one hunred Buddhist monasteries. Buddhism was on the decline although Hieun-Tsang opined that it was popular. Jainsim enjoyed royal patronage. Buddism gradually gave way to Jainism and Brahminis. Sacrifices were given great importance and many treaties were written on them. The king himself performed a number of sacrifices including Asvamedha and Vajpeya. Despite this stress on the orthodox form of Hindu religion, the Puranic version grew popular. It was this popularity that gave momentum to the bulding of temples in honour of Vishnu. Shiva and other gods.

Regarding architechture, the Chalukyas perfected the art of stone-building stone finally joined without maortar. Under the auspices of the Chalukyas, the Buddhists and the brahmins built cave temples. The cave frescoes began earlier but thefinest speciments of them belonged to the Chalukyaa are of the 5th and 6th centuries. The murals depict both religious and secular themes. In the first monastic hall of the Ajanta one mural depict the reception given toa Persian embassy by Pulakesin II. The temples of Chalukyas belong to the Deccan style. His tradition began earlier in the rock-cut temples of Elephanta. The aihole and Badami temples of the Chalukyas represent the Deccani style. This style reached its culmination in the Kailash temple of Ellora a Rashtrakuta achievement.

The cave temples of the Chalukyas were the counter-parts of Buddhists save temples as borne out bytheVishnu temple at Badami. Apart from this feature, the Chalukyan temples were stone-built-stone finely joined without morat like the temple of Shiva at Meguti. This temple has a prasasti on Pulakesin composed by Ravikriti. Out of all their temples, the best reserved is the Vishnu temple at Aihole. It bears an inscription of Vikramaditya II and is built on the lines of the Buddhists Cahitya-hall. One more temple is the favous Virupakasha temple at Pattadakal. This temple has a pillared mandapam or meeting place for people. The roof is supported by sixteen monolithic pillars with sculptured bracket capitals

The Chalukyas erected a large number of temples at Aihole. This particular style was follwed in the close by towns and Badami and Pattadakal. Aihole had 70 temples, whereas, Pattadakal had 10 temples. In the latter are found the famous temples of Papanatha and Virupakasha. The walls of the temples are adorned with beautiful sculptures representing scenes of Ramayana.

After the eight century land grantswere made to these temples, a common feature of temple maintenance in South India. The evidence relating to this aspect is recorded on the walls of the temples. Also the Jaina followers erected some temples in Karnataka during the dyas of the Chalukays. 
The Chalukya temples were an evolution of the gupta shirne. However, at the apex of their glory, the Chalukyan temples bear evidence to both the northern and Dravidian styles of architechture. The examples of this development are the rock-cut temples in Elephanta. The Kalidashnatha temple built during the days of Rashtrakutas is an example of transition from rock-cut to the free-standing style.

Sanksrit was thelanguage of the day. Vernaculars also came to be developed. An inscription of the seventh century mentions Kannada as the local language, and Sanskrit the language of the elite.

Thus, even though the delineation of the political history of the Chalukays is quite dull, their importance consists in their having continued the traditions of India. Thus, even though the history of India appears to be a Jig-saw puzzle, there is a pattern underlying it.